This project has been supported by the National Science Foundation (Award #2444970). Additional support was provided by the Central European History Society, the Fundação Luso-Americana para o Desenvolvimento, the International Center of Medieval Art, the Association for Art History, and the Design History Society. Within the University of Chicago, the author acknowledges support from the Center for International Social Science Research (CISSR), the France Chicago Center, the Nicholson Center for British Studies, and the Department of History. Special thanks to the Rome Archive Seminar (University of Notre Dame, Stanford University, and Princeton University).

Any opinions, findings, and conclusions expressed in this material are those of the author and do not necessarily reflect the views of the National Science Foundation.